Competition Winners…Where are they now?
Many of the Palm Springs Opera Guild Vocal Competition First Place winners are enjoying exciting careers. We’ve been tracking their careers and are pleased to present the following update:
2017 Soprano Liv Redpath began her 2017/18 season as a second year Domingo-Colburn-Stein Young Artist with LA Opera. Her stage work in LA Opera’s season includes singing L’Amour in John Neumeier’s new production of Orphée et Eurydice and Frasquita in Carmen, both under maestro James Conlon. She sings Countess Ceprano and covers Gilda in Rigoletto, sang Anna in Nabucco with maestro Plácido Domingo, and also covers Cunégonde in Candide. She will have her Seattle Symphony debut in Vivaldi’s Gloria and will return to Santa Fe Opera to sing Naiade in Ariadne auf Naxos. In addition to the Dorothy Nocita Memorial Palm Springs Opera Guild Vocal Competition, has received awards from the Metropolitan Opera National Council Auditions,The Loren L. Zachary Society, and the Licia Albanese Puccini Foundation. She was awarded the Novick Career Advancement Grant and the Richard F. Gold Career Grant from The Juilliard School.
2016 Soprano Amina Edris is a San Francisco Opera Adler Fellow who made her company debut as Frasquita in Carmen. She was a participant of the 2015 Merola Opera Program. Roles in her repertoire include Norina (Don Pasquale) Susanna (Le Nozze di Figaro), Serpina (La Serva Padrona), Adina (L’Elisir d’Amore), and Gilda (Rigoletto). Ms. Edris is a winner of the prestigious Sydney Eisteddfod McDonald’s Operatic Aria Competition and the Deborah Reidel award in the Joan Sutherland and Richard Bonynge Bel Canto Award Competition 2013, as well as the Western Regional Special Encouragement Award in the 2014 Metropolitan Opera National Council Auditions. Ms. Edris holds a Bachelor of Music from University of Canterbury, a Master of Music from Wales International Academy of Voice, and a post-graduate diploma from the San Francisco Conservatory of Music. She sang in Opera in the Park this past April 9 and is performing this season in La Traviata, Rigoletto and Elektra with SF Opera. Ms. Edris will be performing the role of Adina in L’Elisir d’Amore with New Zealand Opera in May-June, 2018.
2015 Baritone Alex DeSocio earned his Bachelors of Music degree in Vocal Performance from Northwestern University and his Masters from the University of Maryland with the Maryland Opera Studio. He is a former resident artist with Pittsburgh Opera and Opera Colorado. In addition Mr. DeSocio is a two-time alumnus of the Merola Opera Program. He was a finalist with Houston Grand Opera’s Eleanor McCollum Competition and a semi-finalist in the Metropolitan Opera National Council Auditions. Mr. DeSocio performed the role of Malatesta in Don Pasquale with the Merola Opera Program in 2015 as well as appearing in the Merola Grand Finale at the War Memorial Opera House in San Francisco. Last year he sang the role of Ramiro in L’heure espagnole with Opera Memphis, was in the Met semi-finals and won the Opera Birmingham Competition, taking First Place and Audience Choice Award. He recently performed with Fort Worth Opera in Carmen and appeared in Don Pasquale with Livermore Opera last fall. In March, 2018 he sings with Opera Birmingham in Romeo et Juliette.
2014 Bass-baritone Nicholas Brownlee is a 2015 winner of the Metropolitan Opera National Council Auditions. He is completing his second year as a Domingo-Colburn-Stein Young Artist at LA Opera, where he made role debuts as the Speaker in The Magic Flute, the Bonze in Madama Butterfly and Captain Gardiner in Moby-Dick, all conducted by James Conlon, as well as Colline in La Boheme conducted by Gustavo Dudamel. He made his Atlanta Opera debut as Colline in La Boheme, and also appeared with the Los Angeles Philharmonic as the Physician in Pelléas et Mélisande, conducted by Esa-Pekka Salonen. Mr. Brownlee returns to LA Opera for the 2017 season to perform in Salome and The Tales of Hoffmann. He made his Metropolitan Opera debut this winter in Salome. Mr. Brownlee appeared in last year’s Opera in the Park and has since won First Place in the Hans Gabor Belvedere Singing Competition in Cape Town and the coveted Zarzuela Award in Placido Domingo’s Operalia. Last spring he appeared in the LA Opera production of Tosca and performed last fall in The Pearl Fishers, again with LA Opera. In February he appears with Badisches Staatstheater Karlsruhe in Alcina and returns to Badisches Staatstheater Karlsruhe in the summer for Anna Bolena.
2013 Bass Adam Lau won Second Place in our Competition two years ago before winning First Place in 2013. Last year Mr. Lau sang with the Opera Theater of St. Louis in Handel’s Richard The Lionheart and interpreted the role of Papa in the Seattle Opera world premiere of An American Dream. He was the top prize winner in the George London 2015 Competition in New York and recently won First Place in the 17th annual Jensen Foundation Vocal Competition. Mr. Lau sang the role of Lodovico in Otello with the Minnesota Orchestra last summer and appeared with North Carolina Opera in Das Rheingold. He performed last fall in the title role of Figaro in Le Nozze di Figaro with Lyric Opera of Kansas City and in the Messiah at Carnegie Hall. Mr. Lau appeared as Mephistopheles in the Royal Liverpool Philharmonic production of La Damnation de Faust. This summer he was the bass soloist in Mahler’s Symphony Number 8 with Berkshire Choral International. In 2018 see Mr. Lau in Samson and Delilah with North Carolina Opera and in the The Barber of Seville with Kentucky Opera.
2012 Mezzo-soprano Renée Rapier is the recipient of the Chautauqua Studio Artist Award, a winner in the Schubert Club Scholarship Competition, a national finalist of the Bel Canto Vocal Scholarship Foundation and a 2011 Metropolitan Opera National Council Auditions national semifinalist. She has sung at Wolf Trap and the Ravinia Festival and appeared at the Seoul Arts Center. Ms. Rapier performed at LA Opera in the role of Cherubino in Ghosts of Versailles and again as Cherubino in Le nozze di Figaro. She sang the role of Anna in Maria Stuarda for Seattle Opera and made her debut with San Francisco Opera as Mercedes in Carmen in 2016. In February she appears with Opera Parallèle in San Francisco in At the statue in Venice and Trouble in Tahiti and in June see her in Die Walküre with SF Opera.
2011 Soprano Anush Avetisyan is currently a resident artist at the Academy of Vocal Arts in Philadelphia. She created the role of Alice B. Toklas in the world premiere of a new chamber version of Jonathan Sheffer’s Blood on the Dining Room Floor with text by Gertrude Stein in 2011. In 2012 she was a prize winner in the Loren L. Zachary Competition and also won First Place in the Mondavi Center Young Artists Competition. She was a Wolf Trap Studio Artist and has performed for many Guild events including the 2014 Opera in the Park. In 2016 Ms. Avetisyan won First Prize in the Deborah Voigt International Vocal Competition at Vero Beach.
2010 Soprano Jacquelynne Fontaine co-hosted and sang in the 2011 Opera in the Park in Palm Springs and was a prize winner in the 2010 Loren L. Zachary Competition. In 2012 she sang in A Room With A View at the Globe in San Diego and then in The King And I at the Lebanon Opera House in New Hampshire. A Little Night Music followed at the Indianapolis Repertory Theater and La Traviata at the Pantages Theater in Tacoma, Washington. She appeared in The Sound of Music at the Northshore Playhouse in Beverly, Maine and recently came off a tour as Carlotta in the National Tour of Phantom of the Opera. She performed in last year’s Opera in the Park and is pursuing a career in television.
2009 Soprano Tracy Cox was named winner of the 2012 Marilyn Horne Song Competition at the Music Academy of the West and winner of the prestigious 2013 Operalia Birgit Nilsson Prize. That same year she performed in Beethoven’s 9th Symphony with the Pasadena Symphony and sang in Mahler’s 8th Symphony at the Cincinnati May Festival. Ms. Cox won the 2014 George London-Flagstad Award for a potential Wagnerian singer. She has appeared at Wolf Trap and sang the title role of Aida at Opera San Luis Obispo. She appeared in Verdi’s Requiem in Waterbury, CT. and made her debut with LA Opera in the role of Marcellina in Le Nozze di Figaro, under the baton of Placido Domingo. She appeared last summer in the Miami Wagner Institute’s production of scenes from Die Walkure and recently covered two roles at the Met.
2008 Baritone Joseph Kyung Teak Lim made his professional debut singing the title role in Don Giovanni in 2008 with the Seoul Metropolitan Opera. He was one of the Metropolitan Opera Council Auditions Finalists in March, 2011. He was named USC Thornton’s Marilyn Horne Scholar and was the baritone soloist in Mahler’s Symphony No. 8, Mozart’s Missa Brevis in C Major and Handel’s Messiah.
2007 Soprano Amy Yekel’s awards include: the Arizona Lyric Opera Scholarship, The Canton Civic Opera Scholarship, The Akron Symphony Chorus Scholarship, Tuesday Musical Club Scholarship, The McDowell Scholarship, The John Macdonald Scholarship, The Fairlawn United Church of Christ Scholarship and the Tuesday Musical Club Finalists Scholarship. Ms. Yekel made her professional debut in 2012 with Toledo Opera in Turandot. She also appeared in Verdi’s Requiem with Toledo Symphony.
2006 Bass Apollo Wong has sung the roles of Superintendent Budd in Britten’s Albert Herring, Bottom in A Midsummer Night’s Dream, Ariodante in Handel’s Serse, Frère Laurent and Le Duc in Gounod’s Roméo et Juliette, Un Mandarino in Puccini’s Turandot, Zuniga in Bizet’s Carmen and Barone Trombonok in Rossini’s Il Viaggio a Reims. He is presently enjoying a successful career as a conductor in Hong Kong, is the Music Director Laureate of The Hong Kong Youth Choir and has been Music Director of the Learners Chorus since 2005.
2005 Soprano Amber Wagner was a winner of the 2007 Metropolitan Opera National Council Auditions Grand Finals and was featured in the documentary “The Audition.” Chosen by Opera News as one of twenty-five artists poised to become a major force in classical music in the coming decade, she returned to the Met as Amelia in Un Ballo in Maschera. In 2014 she received a glowing review for her performance in La Forza del Destino at Washington National Opera and was one of the featured singers at SummerStage, the Met’s summer recital series. Ms.Wagner’s recent performances include Lyric Opera of Chicago as Leonora in Il Trovatore, Elisabeth in Tannhäuser and Ariadne auf Naxos at Minnesota Opera and Palm Beach Opera. Last season she sang with the Met in The Flying Dutchman. She will make her debut in the title role of Aida with Opera Australia and reprised Senta in Der fliegende Holländer in Rome with the Accademia di Santa Cecilia with Mikko Franck conducting, as well as in Turin with the National RAI Symphony Orchestra with James Conlon. In addition, she returns to the Oregon Symphony to sing Verdi’s Requiem under the baton of Carlos Kalmar.
2004 Tenor Kalil Wilson lives in Northern California. He is a renowned jazz and classical singer who has performed at the Met as well as at Disney Hall and is currently enjoying a successful singing career performing in jazz clubs in Oakland and San Francisco.
2003 Superstar soprano Angela Meade was the 2011 recipient of the Richard Tucker Award. She sang the role of Leonora in Il Trovatore at the Met and was featured in Norma at Washington National Opera in 2013. Angela wowed the audience at the 2014 Richard Tucker at 100: An Opera Celebration on PBS. She sang last year in Il Trovatore in Berlin, in Il Due Foscari in Madrid and performed in recital in Santa Fe. Ms. Meade also appeared in Moscow as Ermione and in Madrid as Norma. In November she sang in Rossini’s Ermione in Lyons and Paris and then traveled to Sevilla, Spain to sing in Anna Bolena. Earlier this year she sang in Verdi’s Steffelio in Bilbao and in Verdi’s Requiem in Houston. Ms. Meade appeared in the Met production of Don Giovanni and in Janacek’s Glagolitic Mass with the LA Philharmonic. She appeared in Handel’s Alcina with Washington National Opera in November and shared the title role of Norma with Sondra Radvanovsky at the Met in December. See her in the title role in Rossini’s Semiramide at the Met this coming March. Read more.
2002 Baritone David Babinet is an acclaimed cantor in New York City. He has sung with companies in Chicago, Tel Aviv, Portland, San Jose and in Los Angeles alongside Placido Domingo in the Young Artists Program. He appeared with LA Opera as Marcello in La Boheme, and Opera San Jose as Count Almaviva in La Nozze di Figaro, as well as the International Vocal Arts Institute in Tel Aviv, Israel where he sang Ford in the opera Falstaff. Mr. Babinet was a member of the Portland Opera resident artist program, a participant in the Chicago Opera Theatre’s young artist program, and a member of the prestigious LA Opera Resident Artist Program.
2001 Tenor Rodell Rosel was a 2005 winner of the Metropolitan Opera National Council Auditions Grand Finals and made his Lyric Opera of Chicago debut that same year. He made his Metropolitan Opera debut in 2009 in Der Rosenkavalier and Les contes d’Hoffmann. He sang with LA Opera in Madama Butterfly in 2012 and appeared in the title role of Britten’s Albert Herring at Florentine Opera in Milwaukee. Mr. Rosel performed in the Guild’s Opera in the Park in 2013 and sang the role of Spoletta in Tosca at LA Opera. He sang with LA Opera in the role of Bardolph in Falstaff and as Monostatos in Die Zauberflöte in 2014. He recently sang in Der Rosenkavalier with Lyric Opera of Chicago and in Siegfried with Houston Grand Opera. He appeared in the LA Opera production of Les contes d’Hoffmann and recently sang with Seattle Opera in Die Zauberflöte. Read more.
2000 Baritone Gregorio Gonzalez sang with Theatre an den Wien in Vienna, Nederlands Opera, Opera de Panama, Opera de Tijuana, Opera de Guanajuato, Connecticut Opera, Des Moines Metro Opera and San Diego Comic Opera. He began a three-season residency with LA Opera in 2002 and in 2010 appeared in the world premiere of Il Postino. He sang with the Dana Point Symphony, in Il Segreto di Susanna at UCLA and in David Conte’s America Tropical at the Plaza de la Cultura in Los Angeles. Recently he was featured in the Long Beach Opera’s production of Fallujah in the role of Lalo. He also appeared with LBO as El Payador in the acclaimed production of Maria de Buenos Aires. Mr. Gonzalez was the featured soloist at the Guild’s April 2014 Thank You Party at Smoke Tree Ranch and performed again for the Guild last November at the Opening Season party.
1999 Baritone Andrew Fernando was a prize winner in the Met National Auditions in the Los Angeles district and in the Pacific region and the Grand Prize winner in the Pasadena Opera Guild Vocal Competition in 2004. 2003 brought him a First Prize in the prestigious Loren L. Zachary Vocal Competition. In 2008 Mr. Fernando performed the title role in Rigoletto in Modesto and reprised the role with Opera San José. The 2007-2008 season included appearances in the New York City Opera’s productions of Cendrillon and Tosca.
1998 Tenor Bruce Sledge debuted with the Met in two Mozart roles: Tamino in The Magic Flute and Ferrando in Così fan tutte. In 2013 Mr. Sledge appeared at the Spoleto USA Festival in Charleston and was featured in Maria Stuarda at the Welsh National Opera. In 2014 he sang the role of the Duke in Rigoletto with Boston Lyric Opera and Percy in Anna Bolena in Bordeaux. In addition, he was featured at Santa Fe Opera as Mon. Popescu in The Impressario and The Fisherman in Le Rossignol. In 2015 he appeared again in Santa Fe as the Duke in Rigoletto. He joined the Canadian Opera Company in 2016 in Maometto Secondo.
1997 Co-Winner Soprano Erin Wood came to public attention at the Lyric Opera of Chicago when she replaced Deborah Voigt on short notice as Sieglinde in Die Walküre. She has appeared onstage at San Francisco Opera and Opera Colorado as Amelia in Un Ballo in Maschera. Elsewhere Ms. Wood performed Lisa in The Queen of Spades for Opera Grand Rapids, Lady Billows in Albert Herring for the Music Academy of the West, Mavis in The Fantastic Mr. Fox for LA Opera and productions of The Flying Dutchman and The Magic Flute for Opera Pacific.
1997 Co-Winner Soprano Priti Ghandi has had a 20 year international opera career, singing in houses such as the New York Philharmonic, Seattle Opera, Theatre de Chatelet in Paris, Covent Garden, the Estates Theatre in Prague, LA Opera, the Memphis Symphony, Michigan Opera Theatre, San Francisco Opera, San Diego Opera, New York City Opera, the Caramoor International Music Festival and UNAM in Mexico City. She was a member of the Grammy award winning recording of Kurt Weill’s The Rise and Fall of The City of Mahagonny with LA Opera and was a winner of the International Dvorak Competition in the Czech Republic. Ms. Gandhi was a Western Region Metropolitan Opera semi-finalist and, for the last few years, has been San Diego Opera’s Artistic Administrator.
1996 World-renowned tenor Charles Castronovo has sung with virtually all of the world’s major opera companies. This season includes performances with Opernhaus Zurich in Faust, Bayerische Staatsoper in Lucia di Lammermoor, the Moscow Philharmonic Society in Werther and Weiner Staatsoper in La Traviata. He made a special appearance in the LA Opera Buff’s production of Carmen last summer and appears in the role of Tamino in The Magic Flute at the Met this coming spring. Read more.
1995 Soprano Robin Follman has performed with the Houston Grand Opera, LA Opera, New York City Opera, Washington Opera, Michigan Opera Theatre, Opera Pacific, Florentine Opera, Singapore Lyric Opera, Lyric Opera of Malaysia and Hawaii Opera. She sang the title role in Turandot at Mobile Opera and Nedda in I Pagliacci for Cleveland Opera. She also appeared with Arizona Opera in the title role in Salome. Ms. Follman is currently leading the family-owned manufacturing business, Markall, Inc. in Santa Ana, California.
1990 Superstar soprano Sondra Radvanovsky has performed in every major opera house in the world. This season she sang in Norma with the Canadian Opera Company, Manon Lescaut with the Royal Opera House and reprised the title role of Norma at Lyric Opera of Chicago. She traveled to the Opera de Monte Carlo earlier this year to appear in Simon Boccanegra and sang the title role in Tosca last season with LA Opera. She recently appeared in the title role of Norma with the Met and in January returns to Opera Liceu in Barcelona to appear in Donizetti’s Poliuto and in Un Ballo in Maschera at Paris National Opera. Read more.
1989 Mezzo-soprano Anita Krause has performed with many of North America’s leading orchestras, including the Chicago Symphony, l’Orchestre symphonique de Montréal, the Baltimore Symphony and the Toronto Symphony. The Canadian singer has also appeared with the Utah Symphony, Rochester Philharmonic, the Grant Park Festival, Lanaudiere Festival and Les Violons du Roy. In April of 2015, Ms. Krause made her highly acclaimed debut at the Stratford Shakespeare Festival as the Mother Abbess in The Sound of Music. Other engagements in the 2015-2016 season included Mahler’s Symphony No. 8 with the Calgary Philharmonic, Mozart’s Requiem with Symphony Nova Scotia and Bach’s Mass in B Minor with Chorus Niagara.
Updated January 1, 2018